Aside from that, Jeezy talks next-level trap s**t on his verses throughout, outlining the good and bad that comes with having big money, a drug-dealing background and street ties. Literally every beat sounds like it was made in an abandoned house. One thing about вЂњTM104: The Legend Of The SnowmanвЂќ that cannot be mistaken is how trap it is. DonвЂ™t get me wrong, the music on the album isnвЂ™t bad, IвЂ™m just not trying to hear that s**t in 2019. With that being said, вЂњTM104: The Legend Of The SnowmanвЂќ sounds outdated, tired and stale. He still has skills comparable to other rappers in the game, but in this day-and-age, his style is no longer appealing. S**t, I guess acceptance speeches can come in the form of verses now. Anyway, on his verse, Meek raps confidently about being strapped, ballinвЂ™ his ass off, and hustling his way from nothing to something. Meek Mill is featured on вЂњMLK BLVD,вЂќ and on the real, he fits perfectly on it, mainly because it sounds like an old school Maybach Music song. You know what city has a really nice MLK Blvd? Austin!ДЇor the most part, MLK Boulevards tend to attract hustlers are there bigger hustlers in the world than Jeezy and Meek Mill? In вЂњMLK BLVD,вЂќ the two rappers join forces for this grungy banger that has Jeezy rapping like Rick Ross, referencing Rick Ross, attacking Trump and Kanye, and most importantly, returning to his trap ways. However, what tells me this n***a might be back to his old form is his lyrical content - It revolves around moving weight, threatening foes, and overcoming major obstacles on the way to success. The instrumental that powers the song is on some вЂњReasonable DoubtвЂќ s**t, while the approach Jeezy raps with on his verses and the hook is cool, calm and collected. вЂњ1 TimeвЂќ is as trill as it is old school-sounding. ItвЂ™s almost like he was intent on speaking to nothing but dope dealers on this s**t. What I love about the song is that Jeezy focuses on giving us something catchy on the hook, but trill overall. In вЂњBetter Tell вЂEm,вЂќ Jeezy feels on himself more than a porn star, rapping about having big money, big bottles, and big guns over this explosive trap instrumental.

In my opinion, they add that last bit of umph their respective songs need. In my opinion, it doesnвЂ™t get any realer than those two topics.Д«oth вЂњFake LoveвЂќ and вЂњ4PLAYвЂќ feature phenomenal contributions by R&B singers (Queen Naija & Ty Dolla $ign). In вЂњFake Love,вЂќ Jeezy touches on the topic of navigating through a life that features plenty of fake ass individuals, and on вЂњ4 Play,вЂќ he touches on the topic of being the type of thug that a girl can appreciate. While вЂњFake LoveвЂќ and вЂњ4PLAYвЂќ both sound like stereotypical commercial rap songs, they each have strong messages behind them. On the real, if it wasnвЂ™t for him, I wouldвЂ™ve went to sleep halfway through this jointвЂ¦ I think Rick Ross killed his verse on вЂњвЂ™06!вЂќ In my opinion, he brought well-needed energy to the song through his animated delivery of his raps, and his bossed-up lyrics. While he never excites me all that much on the song, he does give you a few pointers that are worthy of being jotted down on your trill notepad. Over this beat, Jeezy talks about having quick trigger-fingers, bad b*tches, bricks and money using this raw/uneventful style of rapping. The beat attached to вЂњвЂ™06вЂќ has a very slow pace to it, almost like it was made in molasses. I donвЂ™t like вЂњвЂ™06вЂќ all that much, but since it features Jeezy and Ross, IвЂ™ma go ahead and put it as a top 5 song on this album (IвЂ™m paying homage to two rappers I think is on their last hurrah).

Today, Jeezy decided to hang the mic up with вЂњTM104: The Legend of The Snowman,вЂќ possibly ending what I believe is an underwhelming career with a bang. Unfortunately, since releasing it, he hasnвЂ™t been able to create any other timeless projects. JeezyвЂ™s вЂњLets Get It: Thug Motivation 101вЂќ is one of my favorite albums of all time.

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